A week ago I set out to Guitar Center to get a very small and portable amp, since my current amp (seen blurrily in the background of this photo) is over two feet wide, weighs about forty pounds, and is a little too loud for the apartment late at night. What I had in mind was a Marshal Mini Amp (which you may have seen in School Of Rock), or something similar. However, the amps that size did not have very much oomph to them. The guy there talked me into playing a Roland Micro Cube. It was incredible that it could put out that much noise and yet be so small. It can even run off batteries (six AA’s)! Don’t get me wrong—you’re not going to worry about losing hearing unless you hold it to your head. But you can very well drown out any conversation or tv in the room. It also has a pretty wide set of effects: chorus, flanger, phaser, tremolo, delay, and reverb. In addition to that, it has six different amp modelers, including a very nice acoustic simulator. The link I mentioned earlier has several pictures of the box and its controls. But if you’d like to see it in action, check out this shot of yours truly rocking out:
See how awesome it looks? And I had it turned up so loud that the camera picked up those yellow sound waves (betcha didn’t know that’s what sound waves looked like, didja?). I’m also rocking out a black “teal” shirt (I wanted to put one on my cafepress store, but it won’t let me put up more than one black shirt). And for anyone interested, I tried to give myself 1980’s hair band hair, but my attempt at doing so was less than successful.
For any who want to hear what this thing sounds like, I recorded a few short sound clips below. If the audio quality is sub-par, blame it on the free-with-a-gateway-computer-six-years-ago-ness of my recording equipment.
Acoustic simulation
It’s amazing that it was able to get such a bright sound out of my Stratocaster. Usually without distortion an electric guitar just sounds so flat. I recorded two samples, both are also using a little bit of the Chorus effect... I mean, why would you not use that effect with an acoustic-like sound?
Galapogos (sic) - 0:14 - This song shows off the acoustic simulator with a song that picks one string at a time, rather than chords.
Shine On - 0:14 - This song uses the acoustic simulation with chords. Ain’t it purdy?
JC Clean
This is supposed to sound like the Roland JC-120 Jazz Chorus amplifier. I’m not sure how successful it is, but it does sound very nice with certain sounds (although obviously not as bright as the acoustic simulation).
Shine On - 0:12 - I played the same song on the clean channel so that the difference would be quite obvious. This one sounds much flatter to me, which is not my personal preference.
Hummer - 0:29 - This song will show off an example of when the clean channel would be much better than the acoustic channel. I’m also using the delay effect on this song.
Black panel
This is supposed to simulate the Fender Twin Reverb sound. I don’t like it very much, because all it seems to do is overdrive the low end and make it sound like my speaker cone is torn.
Brit Combo
According to the manual, “this is modeled on the Vox AC-30TB, the rock amplifier that created the Liverpool sound of the ‘60s.” I don’t particularly care for this sound, it’s kind of like the “fuzz” distortion that Jimi Hendrix used a lot. Just sounds to me like the clean signal mixed with a lot of static.
Rectifier
This is really the only distorted channel I use on this thing. It is modeled after the Mesa/Boogie Rectifier. Much closer to the sounds of the mid-to-late nineties that I liked so much. Unfortunately, the sound recorded does not match what was actually played very well at all. In fact, the sound that was recorded is extremely obnoxious—I don’t know where the low end went! In reality, the distortion is much creamier (that’s the best word I could think of to describe it).
Welcome To Paradise - 0:52 - Once again, I’ll present the same song on two different channels for you to compare and contrast. But really, I like the recording of this much less, but in person I liked it much more. Stupid cheap microphone.
I Caught Fire (In Your Eyes) - 0:09 - I wanted something that used the flanger/phaser (I can’t remember which I’m using in this song). This was as close as I could come to the sound in the actual song, but I definitely fell short of what The Used recorded.
Well that’s all. I know that was a lot of files, but it’s only three minutes of audio. I wanted to embed the sounds in the page so that you could play them right there, but (from what I could find) there’s not a good way to do so that is standards-compliant and works across most platforms and browsers without requiring a plug-in, Flash, and/or javascript.
PS: I do know that there is an audio output on the back of the thing. In the past I have found those outputs to be noisier than placing a mic in front of the amp. I haven’t tried with this amp though. But as far as I know, pretty much all professionally recorded music uses a mic’ed amp, rather than the output from the amp.
March 17, 7:32 pm
Nice job; you’re now officially world famous (unless you already were and I didn’t know)!